Recent, Current and Near Future

2023 is going to be a very good year!

2022 turned out to be a very busy and satisfying year. I had the privilege of working with so many very fine Artists. This past fall I directed a wonderful HERstorical drama about Emily Murphy written by Caroline Russell-King, as well as a delightful Children’s Opera Stone Soup which was Calgary Opera’s seasonal offering. I participated in a workshop of a new musical by Joe Slabe with Forte Musical Theatre guild, and performed as The Princess Dragomiroff in Murder on the Orient Express at Vertigo theatre. Somehow I did manage to decorate the house just in time for winter celebrations.

These first two months of 2023 are a time for me to catch up on a few things as well as begin creation on a new project. The materials and insight generated by the amazing workshop of John Murrell’s beautiful translation of Federico Garcia Lorca’s The House of Bernarda Alba, with impeccable artists Oscar Nieto, Valerie Ann Pearson, Natascha Girgis, Allsion Lynch, Tosh Hayashi and others, needs to be edited and marketed, and I am looking forward to spending some time with Ilkim Tongur to hear what beautiful music she is composing for Silenced; Camille Claudel. I am back at Rosebud School of the Arts teaching Music 240 and 340 with budding young artist and I have time to attend theatre, opera and music and engage with the creativity going on in YYC.

Spring equinox will be celebrated in Yukon this year! I am very excited about joining the wonderful theatre community of Whitehorse. I will be directing Ripcord by David Lindsay-Abaire at the Guild Hall. A fabulous romp through a care home to celebrate life, love, friendship, as well as seasoned and experienced actors. Then home again to continue writing and to spend a lot of time singing to prepare for a studio concert, as well as my return to Romania for the Sibiu International Theatre Festival.

I look forward to the warmer months when I will be able to spend time with my family discovering the beauty of Treaty 7 territory. The ancestral and traditional territories of the Blackfoot Confederacy, including the Siksika, Piikani and Kainai Nations; the Stoney-Nakoda, including the Chiniki, Bearspaw and Wesley Nations; and the Tsuut’ina Nation, as well as the Métis Nation of Alberta, Region 3. I acknowledge the many First Nations, Métis and Inuit peoples whose footsteps have marked these lands for generations, including the many places that I am able to experience and create in. I recognize the land as an act of reconciliation and gratitude to those whose territory I reside on.

Have a very fulfilling day.

Artist Statement

I am a theatre artist; director, actor, and educator.

My vision is to engage audience and performers in a vivid journey that explores all aspects of our human condition. I am particularly interested in the juxtaposition of what makes us beautiful, loving and nurturing against what makes us ugly, spiteful and greedy. What causes our fear, pain, anger? What inspires our joy, love, imagination? I desire to deepen our understanding of how we move through the world by never shying away from the depth of how dark and cruel we can be, as well as shining a light on how courageous and generous.


I am a theatre artist whose past and current practice encompasses many forms; traditional theatre, devised collaborations, mixed discipline, and opera. After 35 years as a performer, I’ve shifted my focus to directing. I have been developing concepts and projects that express my aesthetics and passions. My imaginings come from the text. I remain faithful and loyal to the writer and their intent. As director I specify, distill, and score rhythmically and emotionally the story for the audience. What do I want for them? What do I want from them? Everything I do is ultimately for the listener, the watcher, the audience.


My mission is to use my experience and expertise to engage with fellow artists in an unending discovery of possibility. To engage each artist in an individual way to inspire them. To tell visceral stories with creativity and ingenuity. To infuse all my work with beauty and surprise. I am committed to doing the work of theatre with courage and passion. I approach each project with enthusiasm, generosity, and integrity. My greatest desire is to encourage every artist I work with towards a greater potential, so that together we can tell extraordinary tales.


Resume

Director

Stone Soup – Calgary Opera

High and Splendid Braveries – Urban Stories/Drama on a Dime

Bernard and Her Daughters – Developmental workshop Arriving at the Fire – Calgary Opera; Development Labs
Monster – Seadreamer
Love’s Labour’s Lost – The Shakespeare Company
Bernarda and Her Daughters – Banff Centre for the Arts and Creativity Residency
Madagascar the Musical – Storybook Theatre
Fiddler on the Roof – Stage West Calgary
Father to Son – Soulocentric Festival
Oedipus the King – Destiny Theatre
Missionary in A Tree – Banff Centre for the Arts and Creativity Residency

Assistant Director

La Traviata – Alain Gauthier – Calgary Opera

The Merry Widow – Omer Ben Seadia – Calgary Opera
Rigoletto – Michael Cavanagh – Calgary Opera
Lord of the Flies – Kevin McKendrick – Sage Theatre


Creative Team

The Sound of Music – Acting Mentor – Storybook Theatre

Lord of the Flies – Movement/Vocal Score Facilitator – Sage Theatre
Honk – Choreography – Globe Theatre
Dads in Bondage – Choreography – Mayfield Dinner Theatre
Screaming Fish – Text and Vocal Coach – Road Pictures
Global Vibe – Text and Vocal Coach – Decidedly Jazz Danceworks
Thunderstruck – Naomi’s Songs Creator – One Yellow Rabbit
Death in New Orleans – Sound Design/composition – One Yellow Rabbit
Oedipus the King – Sound/Vocal Score Facilitator – Destiny Theatre


Actor Selected

Murder on the Orient Express – Princess – Vertigo Theatre – Jovanni Sy

Ragtime – Emma G. – TC, Calgary Phil., Arts Commons – Stafford Arima/ James Moore

The Sound of Music – Mother Abbess – Western Canada Theatre – James MacDonald
Noises Off – Dotty/Mrs. Clackett – Theatre Calgary – Mark Bellamy
All’s Well That Ends Well – Countess/Widow – The Shakespeare Company – Peter Hinton
Waiting for the Parade – Margaret – Alberta Theatre Projects – Kate Newby
Romeo and Juliet – Nurse/Prince – The Shakespeare Company – Ron Jenkins
The Winter’s Tale – Paulina – The Shakespeare Company – Natascha Girgis
Gaslight – Elizabeth – Vertigo Theatre – Christopher Newton
Chicago – Mamma Morton – Stage West – Max Riemer/Konrad Pluta
Pride and Prejudice – Mrs. Bennet – National Arts Centre – Dennis Garnhum
Requiem for a Lost Girl – Mother – New York Musical Theatre Festival – Doug McKeag
Sweeney Todd – Mrs. Lovett – Vertigo Theatre – Mark Bellamy/Stephen Woodjetts
August: Osage County – Mattie Fae – Citadel Theatre – Bob Baker
Beauty and the Beast – Mrs. Potts – Citadel Theatre – Bob Baker/Don Horsburgh
Glorious! – Florence Foster Jenkins – Stage West – Bernard Cuffling
Gypsy – Mamma Rose – Mayfield Dinner Theatre – James Brewer/Van Wilmott
Song and Dance – Emma – Theatre Calgary – James Brewer/Denise Clarke/David Rhymer Doing Leonard Cohen – Arden Theatre, Philadelphia /One Yellow Rabbit – Blake Brooker
Thunderstruck – Naomi – Factory Theatre /One Yellow Rabbit – Blake Brooker
The Beggar’s Opera – Mrs. Peachum – Citadel Theatre – Robin Phillips/Janice Flower
Man of LaMancha – Housekeeper – Mirvish Productions – Robin Phillips/ Melody McShane

Awards
Betty Mitchell Award, Outstanding Performance by an Actress in a Lead Role;
Stone and Ashes – Shirley – Theatre in Exile – Jarvis Hall
Betty Mitchell Award, Outstanding performance in a Musical;
Marg Szzkaluba: Pissy’s Wife– Marg– Mighty Pacer– Christopher Cinnamon/Tim Williams
Elizabeth Sterling Haynes Award, Outstanding Performance in a Supporting Role;
Cabaret – Fraulein Kost – Citadel Theatre – Bob Baker/Don Horsburgh

Education
Bachelor of Fine Arts – University of Calgary
Performance Diploma – Voice – Trinity College London

Testimonials and reviews

“Stunning vision in creation process! Watch out world!” – Daniel Kramer

“Calgary’s first lady of the stage, the incomparable Elizabeth Stepkowski Tarhan. ” Vancity vince

“She is a multi-talented, multi-disciplinary artist whose work ethic goes beyond that of most people in our industry.” – Valerie Ann Pearson

“A fantastic theatre experience for everyone involved. Her years of experience working with director after director shone brightly as she worked with her team of emerging artists. She constantly applied her gained knowledge from other directors, making them her own and always crediting the mentors and teachers she learned the skill from.” JP Thibodeau – Storybook Theatre

“Uniquely qualified to spearhead this project given the breadth of her experience in all genres of theatre, her commitment to artistic excellence, and her tireless work ethic.” Joe Slabe – Forte! Musical Theatre Guild

“In whatever facet of theatre production she has been involved, Elizabeth has consistently interested herself in all the integrated components of a play, not only in her role and her performance, but in complementing the work of her fellow actors, and in fully comprehending the director’s and designer’s vision of the play.” – John Murrell, OC, AOE

“…a theatre director of vision, compassion and excellence. She is highly motivated, deeply committed and full of integrity.”  Deborah Fannie Miller – poet and children’s book author

“Stepkowski Tarhan gets to rip at our hearts when Margaret tells us just how lonely she is.” Louis B. Hobson – Calgary Herald

“Acting is a breeze for Stepkowski Tarhan as she throws her personal spontaneity and 30 years of experience into the craziest of characters.” Jasmine Han

“The most grotesque comic character is Violet’s ample, blowsy, hilariously vulgar sister Matti Fae (Elizabeth Stepkowski-Tarhan).” Liz Nicholls – Edmonton Journal

“Elizabeth Stepkowski-Tarhan who brings the much-loved Nurse to life with warmth, love and tangible heartbreak.” danill1800  Alberta Theatre Guide